Although HBO's Sex and the City has won Emmy, Screen Actors Guild and Golden Globe awards, film studies lecturers Akass and McCabe are peeved that some find the show a "'worthless pile of swill' with no cultural relevance." With this wide-ranging collection of essays, they set out to dispute that view, calling on various contributors to reveal the myriad ways of interpreting the show's plot and characterization. Sex's narrator, Carrie Bradshaw (played by Sarah Jessica Parker), details the exploits of gal pals Miranda, Samantha and Charlotte, simultaneously exploring issues of sex, independence and relationships from a decidedly female perspective. The book's most heated debate centers on whether the overall image of women on the show is positive or negative. Are Carrie and company third-wave feminists who won't conform to a preconceived image of emancipation? Or are they enmeshed in a traditional yearning for Mr. Right? In the 21st century, according to most contributors, happy endings are relative. The book covers a wide array of topics, such as the symbiotic relationship between fashion and costume, and historical representations (by Woody Allen and Theodore Dreiser, among others) of single New York women. Some writers criticize the show's image of men and the instances of lesbian homoeroticism, claiming both detract from the celebration of women, sex and gay life. Others enjoy walking in Carrie's Manolo Blahniks. Most of the analysis is thought provoking, and the majority of the clearly written arguments allow readers to make the final judgment. Some viewers may not crave such scrutiny, but other fans will enjoy the added depth.

Reading Sex and the City